After a glorious several weeks of dark escapades and moonlit festivities, we have reached the end of the Spooky Season. Throughout this, I've enjoyed gifting you a menagerie of songs from different reaches of the subcultural music world. This week, we shall wrap up this series with a brief, final spotlight on a classic tune that encapsulates the theme of our ghoulish Soundscape. For a last hurrah, this is the aptly-named "Halloween" by Siouxsie and the Banshees. Like I said, I shall be brief. Siouxsie and the Banshees, formed in London, England in 1976, originally rose to prominence as a unique presence in the punk scene. A major cause of this may have been their artful, experimental instrumentation and innovative guitar techniques, all of which earned them the additional title of "art rock." Their pivotal 1981 album Juju , from which our song comes, lent a largely influential hand to the flowering post-punk genre, the precursor to gothic rock. Although Siouxsi...
This week, we continue our Black History Month tribute in the 1960s with a rallying call for harmony and love in the face of disparity. Here is "Everyday People" by Sly and the Family Stone." Sly and the Family Stone, formed in 1966, was a representation of the socially conscious counterculture movement. The band consisted of both black and white, men and women, all working together to share their message using a driving union of rock and soul. In this, they practically became an embodiment of the change-seeking youth and became a voice for their beliefs. The band's album Stand (1969) came at a vital time, at an hour of turbulence in America. This was an era of racial struggles, violence, voices unheard, and pushes for equality that seemed at times to go nowhere despite laws passed years before (how times never change, I must say...). Amidst this, Stand delivered an array of messages, all important and timely, from comfort in times of trial to calls to action to pl...
Welcome to our final toast of this year's Black History Month! To wrap up this series, we shall focus on a group that shattered racial and countercultural stereotypes and made their mark in the history of punk. Here are Bad Brains with "I Against I." Of course, Bad Brains barely resembled the majority of punk bands of the 80s, as this band consisted of four black Rastafarians in a white-dominated genre. Bad Brains (originally a jazz fusion group) broke into D.C.'s punk scene in 1976 with a technical prowess uncommon amidst the rugged genre. They paired this with breakneck tempos, breakdowns, enforced chaos, and unapologetically brash lyrics, all combined to cement their iconic sound that would leave an impact as a pioneering band in the hardcore realm. Bad Brains also stood out by breaking down cultural barriers. This could be seen in their blending of cultures, as they combined punk with funk and reggae. Also, they rejected stereotypes of what others expected those...
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